Vic’s Review – “Jug Face” (2013)


What’s it About?

Jug Face tells the story of a pregnant teen trying to escape a backwoods community when she discovers that she may be sacrificed to a creature in a pit.

“Jug Face”

Directed by Chad Crawford Kinkle

8 out of 10

By Vic

Vic’s Note: I would like to thank my friend, “The Black Saint” – (  ) for recommending this title. I really enjoyed the movie and The Saint never steers me wrong! Thanks, man!

Vic’s Note: “Jug Face” is currently available on Netflix for Instant Streaming!

“Jug Face” was a damn good surprise. Using a creative spin on a gritty backwoods thriller that is parts “Wicker Man,” “The Lottery” and part “The Village.” This  interesting movie from director Chad Crawford Kinkle (Organ Grinder) is a refreshing ghost / creature feature. A movie that involves a very small community of backwoods southern pagans that worship a deity that resides in a bloody pit in the isolated region. The film is from Andrew van den Houten, the CEO of Modernciné and Robert Tonino.

The screenplay is brilliantly written by Kinkle, himself. Kinkle weaves an almost Arthur Miller-ish story that revolves around a young girl named Ada, played by the wide eyed and capable Lauren Ashley Carter (Premium Rush), who engages in some pretty taboo behavior with her own sibling. She is immediately thereafter chosen by the creature in the “Pit” to be sacrificed after a simpleton sculptor and her best friend named Dawai (Sean Bridgers from “The Woman”) creates a “jug” (designed by potter and sculptor, Jason Mahlke) with Ada’s face on it.

It seems that whenever Dawai goes into a sort of trance which glazes his eyes over and sends him into a fit, he gets a vision of who is next and sculpts a Jug with the visage of the person who is  to be sacrificed. Ada, being a curious if somewhat naive young woman comes upon the Jug and tosses it into the woods to avoid it from being seen by the townsfolk.

After she does strange things begin to happen to not only Ada but others around her as well. Ada begins to “see” some mysterious entity begin to attack locals and at one point Dawai creates another Jug with the face of a young man that Ada was to be married to by arrangement. Ada eventually figures out that she is pregnant by her brother after stealing a pregnancy kit from the town pharmacy.

Actress Sean Young (Blade Runner) is stunning to watch here as Ada’s fanatically possessive and overbearing mother named Loriss. Loriss finds out about the pregnancy along with Ada’s sometime sympathetic father, Sustin. They freak out and charge over to Dawai’s to blame the pregnancy on him. More deaths occur and the townspeople are lunged into danger.

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Kinkle’s cast and his compelling story of survival make  for a satisfying and weighty picture of these simple people who live in the past. They never go into town unless to sell moonshine to the local pharmacist. They keep to themselves and they feel justified in believing that some “monster” needs to be appeased and they have no compunction in having to sacrifice innocent people to some being in a pit. They even believe the pit can either heal or destroy based on the character of the person. (At one point, Ada’s sick brother is sent into the pit to help with his “fever.”) Only Ada sees things differently.

After mental and physical clashes with her mother, Loriss, Ada tries to find a way out of this trouble she is in in order to save Dawai and her unborn child. Kinkle provides some chills as Ada is able to “see” a strange apparition who is somehow involved with her ill and aging Grandfather in a side story that has bearing. These scenes with Ada interacting with the ghostly figure of a young boy seem just a tad out of place. The ghost is a poorly rendered being that is never really scary and the weird “Devil’s Backbone” vibe doesn’t gel, but it never really distracts.

Plus the glimpses of the “monster” going after the locals one by one are a bit hokey and cliche but if not for Kinkle getting the most from the story of Ada and the brilliant casting of Young, Carter and Bridger I feel the movie would have been more of an inadequate monster movie with some interesting flourishes. Fortunately, that is not the case here.

Kinkle’s choice of Composer Sean Spillane (The Woman) is inspired as he provides a slow burn score of appropriate southern gothic style trappings using guitars and the like. The film is also shot very fluently and deftly using interesting compositions by Chris Heinrich (Tron: Legacy). Kinkle unfolds his thriller nicely and for a story that may have been silly and un-effective I must commend Kinkle for making “jug Face” an involving movie that is brisk, inventive and well acted. It is gory but not at all excessive.

“Jug Face” provides a “slice of life” look into an amazing tapestry of terror, coming of age, taboos and desperation all the while making the production look beautifully elegant and simple. The story explores the characters and with the help of the wonderful actors here (Sean Young is a delight to watch as a crazed foul mouthed Mom) Kinkle’s “Jug Face” celebrates the return of originality to the horror genre. And that ain’t bad. Recommended!

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    • Thanks for stopping by! I hope you enjoy the movie once you get around to watching it. I like when I make someone aware of a title that would otherwise get overlooked or overshadowed by a bigger film. Thanks for your comment!

  1. Good review. Second one I’ve read here (think the other was The IPC and think you liked it more). 🙂 Sounds odd but I like the films you’ve compared it to, like The Wicker Man.

    • Yeah, “Jug Face” harkens back to some of the more slow burn thrillers like “The Wicker Man” and even “Children of the Corn.” It respects those films and it successfully creates mood and dread with a unique spin on the “isolated community” thriller genre. Even though it is reminiscent of those other flicks it is still an interesting and original yarn. Thanks for reading and commenting. I’m glad you enjoyed the review! 🙂

      • What the hell? Isn’t this a REALLY old comment?? Lol! It’s like how long I take to reply to comments lately. ; ) No, never did watch it but thanks for the reminder – it did sound… Oddly interesting. : )

      • I think this might become my new thing – replying to OLD comments on other people’s sites 🙂

      • Ha! That would totally throw everyone for a loop bro. They’d be like: “WTF?” 😀

      • LOL, I had sent him the link to my review (After he saw it on my latest Netflix post) and he was commenting on the thread haha.

        You used the 2 most perfect words to sum this movie up, though. Odd and Interesting. Hope you like it!

      • Ohhh – that makes sense then. I figured Eric was just stalking me. Like usual. ; )

        I’d forgotten about this so I’m glad for the reminder! I’ll let you know what I think when (if!) I ever get around to seeing it. : )

    • Thanks once again, Bill! I appreciate the nice comments and I am glad you liked both the review and the movie!

      I love when small, indie thrillers turn out this good. They bring style and mood to the table. Something contemporary horror flicks are lacking.

      Thanks for stopping by!

    • Yeah, I may have come across a bit zealous in this review, initially, lol. It is definitely overlooked and I hope it does get the attention it deserves. Now that it is on Netflix, I’m sure more peeps will get to it.

      Thanks for the feedback, bro. I appreciate it and I’m glad you liked the write up.

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