Brian’s Note – I just wanted to say that this list is only my opinion. I’d also like to point out that the 1970’s was, in my opinion the best decade for American Film in history and this list was very hard to make and compile.
10. Barry Lyndon:
Kubrick’s haunting and gorgeously shot (some feel the most beautiful cinematography ever and it would be hard to disagree) costume epic about one man’s quest to climb the social ladder no matter the cost. The emphasis on hostility hidden behind the manners of the day is so well conveyed by Kubrick that it will stay with you for days.
Stallone wrote and starred in this masterpiece that set into motion a chain of sequels, parodies, and knock offs that did their best to diminish the power of the original and yet it still endures. The greatest sports films are more about the characters than they are about the actual sporting event. It would be easy to label this as a boxing movie particularly because its sequels are exactly that. But, it isn’t. It’s a love story about two imperfect souls who couldn’t be more perfect together.
8. Star Wars:
The grand-daddy of all the big budget Sci-Fi films to follow that can’t hold a candle to this movie. There’s not many people on this planet that haven’t seen this movie so I won’t waste my time telling you about it. I’ll just throw in a quick factoid. This movie was made for 6 million dollars. How in the hell did they do that when there’s films today with 20 times that budget don’t seem as grand and epic?
7. Apocalypse Now:
Coppola’s version of Joseph Conrad’s Hearts of Darkness set during Vietnam is a gut shot of a film. It doesn’t try to document the war like Oliver Stone did with Platoon but to create an artistic expression of war as madness and despair. The further Martin Sheen travels down the river, the worse his psyche, and ours along with him, get lost. The best part is that this movie only gets better with age.
6. One Flew Over the Cuckoo’s Nest:
This swept all five major Academy Awards (Best Picture, Actress, Actor, Director, and Screenplay) in 1975. And, for once, they actually got it right. The greatest trait of this film is the was director Milos Forman mixes comedy with drama. You laugh with these characters and get attached to them. It makes it all that more effective when things turn tragic. It also contains the greatest performance of Jack Nicholson’s career.
5. A Clockwork Orange:
Another Kubrick masterpiece that asks the question: “Can you cure a thrill criminal?” Malcolm MacDowell is utterly brilliant as Alex, a psychopath who almost approaches likeability if it weren’t for his obsession with hurting others. Kubrick wisely shoots the film entirely from his perspective and you see the world as he sees it: a playground of animalistic urges.
The greatest popcorn movie of all time and the first summer blockbuster. I’ve read the Peter Benchley novel and quite frankly, it isn’t very good. The film improves every aspect of the story and Spielberg’s camerawork is utterly flawless. He would go on to make many hit films but this still remains his best.
3. The Exorcist:
A film about love, sacrifice, and faith disguised as a horror movie. If all this film was about was a possessed girl puking pea soup on a priest, it would not be the revered classic it is today. The greater proof to my theory on that is the litany of bad sequels, ripoffs, and derivative crap that has come over the year. Not one of them has been any good.
2. Taxi Driver:
Scorsese’s first masterpiece, like Apocalypse Now, is a descent into madness. Setting the story in NYC makes Travis’s tale of loneliness all the more profound. He’s surrounded by millions and yet not one person there even remotely understands him. The story also works because while he’s hailed as a hero near the end, his violent repression was going to come out one way or the other. If it hadn’t been against a group of pimps and lowlifes, it would have come against a U.S. Senator who could have become president. De Niro and Scorsese have never been better.
1. Godfathers 1 and 2:
I’m going to cheat and name both the first and second Godfather because they are really two halves of an entire story. Once you actually get to the end of the second film you realize that it’s how a Father and son could be so alike and yet so different. Vito is a man of business but he still looks out for and cares people. Michael on the other hand is also all business but will cut the throats of even those closest to him. Its poetry, acting, and wonderful cinematography is why I chose these as the best films of the 1970’s.
Here are some Trailers to these Incredible Films –
The Godfather Part II
The French Connection
Superman: The Movie
The Texas Chainsaw Massacre
Aguirre: The Wrath of God
Cries and Whispers
Willy Wonka and the Chocolate Factory
Days of Heaven
Monty Python and the Holy Grail
Dawn of the Dead
Sound off below, gang. Let us know your favorite films of the 1970’s! Hope you enjoyed the post and thanks once again to Brian for a fantastic piece.